From Time authored by Eliza Berman:
“’Dear Mr. Disney’—
That’s how a 10-year-old girl named Catherine began her letter to the most powerful man in movies during the bitter, final months of 1963. She had experienced that year’s traumas like most children do, through the anxious whispers of adults, despair moving a few feet above her head. She wanted to tell Mr. Disney about a book that had given her hope, one she thought could do the same for a nation of kids who felt the world around them darkening. If only he would put its story on film. But she never sent the letter, setting it aside in a moment of resignation. Three years later, when Walt Disney died of lung cancer, she was inconsolable. Not only was the maestro of the Mouse House gone, but she couldn’t think of anyone else who could make that movie. So she resolved to do it herself one day.
Fifty-four years later, producer Catherine Hand nearly has. A Wrinkle in Time, a Disney movie based on Madeleine L’Engle’s 1962 novel of the same name, will come out on March 9, 2018. The film brings to life the story of Meg Murry, a gangly adolescent who travels across dimensions to rescue her scientist father. Meg is guided by a trio of guardian angels collectively called “the Mrs.” The book, and the movie, is about what it means to be a source of light in a world in which darkness seems only to proliferate. It also makes the case for thinking independently when conformity is the norm.
As a child, Hand assumed that the power to adapt Wrinkle rested with a single man. But it took a collective of women to finally do it: Hand, who later in life befriended the author; screenwriter Jennifer Lee, best known for writing and co-directing the Disney megahit Frozen; and Oscar-nominated director Ava DuVernay. Plus DuVernay’s cast. For the all-powerful trio of Mrs., she chose Hollywood’s own all-powerful: Oprah Winfrey, Reese Witherspoon and Mindy Kaling. And for the young hero at the center of it all, she will introduce moviegoers to Storm Reid.
As a novel, A Wrinkle in Time has been a mainstay of middle school English curricula for decades. It introduced the spiritual antecedent to Katniss Everdeen, Buffy the Vampire Slayer and Hermione Granger. And it posed a series of philosophical questions that are no less relevant in the era of Trump and Putin than they were in the time of Kennedy and Khrushchev. High stakes, in other words. As Winfrey sees it, Wrinkle the movie heightens the stakes even more. ‘I felt like we were making the new Wizard of Oz for another generation.’”
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